After two episodes in the ’50s, it’s finally time to move on.
He can’t believe people barely look each other in the eye anymore.
Wait until they get cellphones, May warns.
Credit: Mitch Haaseth/ABC
As for those bubbling plot elements, the time-displaced S.H.I.E.L.D.
agents wind up at a bar where present-day S.H.I.E.L.D.
is celebrating a grand occasion.
Luckily, Wilfred has the same weakness as so many other rich and powerful men: A dumb son.
Gideon Malick is a young man in the ’70s (R.I.P.
original actor Powers Boothe) and tries hitting on Daisy at the bar.
’s hostage, which helps them get out of the situation safely.
But then the Chronicoms are time-jumping again, and the Zephyr is forced to follow.
It’s a race against time now for S.H.I.E.L.D.
to stop the satellite.
Enoch too, for that matter.
The older Malick isn’t as lucky.
Deke responds by shooting Wilfred dead, which helps get the time-space continuum closer to the status quo.
Didn’t think of that, did they?
The Chronicoms did think of something else, though.
Just as Coulson and May are going to follow through with an attempt to flood the S.H.I.E.L.D.
After they used Malick’s child against him, the Chronicoms are now using Mack’s parents against him.
He aborts the flooding mission and instead shoots the satellite out of the sky after it launches.
Problem solved, but in the process, the time-traveling S.H.I.E.L.D.
agents have made their presence known.
